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A theatre ghost requires a theatre, and this ground's record — proven in the build's own arts leg — is that no picture house was ever seated in Osceola. The class therefore fails at the threshold, and the failure is printed rather than the class skipped. The template houses are separated, as the checklist separates them: the flapper of the State Theatre and the ghosts of the Morris Performing Arts Center are South Bend houses' lore, carried in that city's build, and neither a flapper nor a working-stage ghost can be imported to a town whose amusement record contains no house for her to haunt. The nearer candidates were tested and excluded on the same threshold ground: the town's festival stage and its community-players stage are performance bodies without a resident-haunt claim in the Kiracofe and Tribune amusement material named for the test, and no such claim was returned by any listing reached. Kiracofe (1988), unreachable online, is the residual settler if a stage-ghost claim is ever produced from the town history; until one is, the theatre-ghost shelf of Osceola is empty because the theatre shelf is empty, and the leg prints the reasoning whole.
Sources: banked arts-culture record (no picture house seated in Osceola), per the audit's account for this item; Kiracofe (1988) and Tribune amusement files named in the audit's settler line — Kiracofe unreachable online. Rights basis: no image pulled.